Mohammed is a naturally curious person whose interests move freely across different forms of creativity. He is drawn to observing how places feel and how small details—light, movement, atmosphere—shape the way we experience the world.

From a young age, Mohammed was fascinated both by mechanical objects and by the quiet rhythms of nature. He developed a particular interest in water and marine life, often keeping fish and spending long periods simply watching them move through their environment. That early habit of observing quietly—paying attention to movement, light, and atmosphere—continues to shape the way he sees places today.

Before studying architecture, Mohammed began university studying zoology with the intention of becoming a marine biologist. Although his interest in animals and the natural world remained strong, he eventually realised the field felt too narrowly defined by established frameworks. After two years he chose to step away and later studied Architectural Design at the University of Sydney, where he found greater freedom to think spatially and creatively.

Photography has always existed alongside this way of thinking. Mohammed does not approach it as a profession or even as a conventional hobby. It is simply something he does. He takes photographs because the act of seeing and framing moments feels natural to him.

The images are not created with an audience in mind; they are quiet reflections of how he experiences a place.

At different moments in his life, his curiosity has taken different forms. Drawing once played an important role and he developed a strong ability for it, though it is something he has stepped away from over time. Across these interests, a consistent thread remains: Mohammed tends to follow what genuinely captures his attention rather than what is expected of him.