Mohammed is a naturally curious person whose interests move freely across different forms of creativity. He is drawn to observing how places feel and how small details such as light, movement, and atmosphere make a space feel this much better.

From a young age, Mohammed was fascinated both by mechanical objects and by the quiet rhythms of nature. He developed a particular interest in water and marine life, often keeping fish and spending long periods simply watching them move through their environment. That early habit of observing is reflected in his calm demeanour and quiet nature.

Before studying architecture, Mohammed began university studying zoology with the intention of becoming a marine biologist. Although his interest in animals and the natural world remained strong, he eventually realised the field felt too narrowly defined by established frameworks. After two years, he chose to step away and later studied Architectural Design at the University of Sydney, where he found greater freedom to think and be creative.

Photography is a big part of Mohammed’s life; it has always existed alongsidehim as a way of taking things in. Holding his camera gives him a sense of intention as he observes the world around him. He does not approach it as a profession or even as a conventional hobby, it is simply something he does. He takes photographs because the act of looking through the viewfinder and framing a shot feels natural to him.

The images are not created with an audience in mind; they are reflections of how he sees the world. In photography, he allows himself to be spontaneous and less controlled, which is how he tends to be otherwise.

At different moments in his life, his curiosity has taken different forms. Drawing once played an important role and he developed a strong ability for it at the time, though it is something he has stepped away from over time. Across these interests, a consistent thread remains: Mohammed tends to follow what genuinely captures his attention rather than what is expected of him.